This October saw Sreten perform the part of Polypheme in Handel’s Acis and Galatea under the baton of Leonardo García Alarcón and in the staging of Pierre Audi at the Concergebouw in Amsterdam, as well as his debut as Figaro in Mozart’s Le nozze di Figaro at the Theatre in Aachen. Other engagements in 2022 include Erode in Stradella’s San Giovanni Battista at the Bayreuth Baroque Opera Festival, the bass part in Handel’s L’Allegro, il Penseroso ed il Moderato with Les arts florissants and under the musical direction of William Christie at the Launadière Festival, Berlin Philharmonic, Auditorio Madrid and the Barbican, Astolfo in Vivaldi’s Orlando Furioso under George Petrou at the Klangvokal Music Festival in Dortmund, Guglielmo in Mozart’s Così fan tutte at the Wietzow Festival, Rambaldo in Bononcini's Griselda at the Bayreuth Baroque Opera Festival and the Wrocław Concert Hall.

Future performances include, among others, Gelone in Cesti’s L’Orontea at the Theatre in Aachen, Simon in Haydn’s The Seasons with William Christie at the Paris Philharmonic, Victoria Hall in Geneva, the Casino in Bern and the Tonhalle in Zurich, the title role in Porpora’s Il Polifemo under George Petrou at the Theater an der Wien, Concertgebouw Amsterdam and the State Theatre in Wiesbaden, as well as Eutifronte in Henneberg’s Der Stein der Weisen at the Mozart Festival in Würzburg.

For a full biography, please visit Sreten's page on the Parnassus Arts Productions website.